Other detrimental effects of underexposure include a loss of shadow detail, increased grain and a ‘flatter’ look. You might consider setting Color to 0 if you think it’s too saturated. Hopefully with some experimentation, I can find where this film would shine in my work. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. I have been trying for some time now to create a film simulation recipe that mimics the aesthetic of overexposed Pro 400H, and, despite creating a Fujicolor Pro 400H film simulation recipe already, achieving an overexposed look has eluded me. I had read that one of the films that was the inspiration for the PRO Neg. I was worried about pushing Portra two stops and had heard good things about Fuji 400h for a push. ( Log Out /  STD Shadow: +4 In fact, you might recall that I suggested Fujifilm include this as a new film simulation in future cameras. I feel like +4 is too much sometimes, and +3 is too little sometimes. I think the skin tones are a little off; a bit too reddish-pink. The look kinda reminds me of “Hamada Hideaki tone” but it’s not exactly that. Split toning is not possible on Fujifilm X cameras. ( Log Out /  When overexposed, the film turns from a somewhat ordinary high-ISO (that’s what the “H” stands for in the name) portrait film into something almost magical. I only tested with my X70 so far (X-Trans 2 sensor processor) I prefer the results with color at 0 and +1 for shadows (it only go to +2) and decrease the sharpness I find it more organic, filmic. To see Fujifilm Pro 400H exposure tested alongside 10 other films, follow this link. Hi film simulation was Pro 400H. Every film photographer we know loves a bit of film stock comparison…at Canadian Film Lab we certainly do! … Today, Pro 400H is often compared with Kodak Portra 400, though it has not reached anywhere close to the same hype. Exposure Compensation: +2/3 to +1 (typically). Change ), You are commenting using your Twitter account. Provia I feel like +4 is too much sometimes, and +3 is too little sometimes. Shadow: +3 You might consider setting Color to 0 if you think it’s too saturated. I had read that one of the films that was the inspiration for the PRO Neg. White Balance: Auto, +2 Red & +1 Blue Change ), You are commenting using your Facebook account. ISO: Auto up to ISO 6400 I Will Always Love You – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”. I think that what I dislike most about Pro 400H … Where’s color negative such as Kodak Portra can be significantly overexposed, slide film needs to be shot at the right exposure. Contact Us, © 2020 Canadian Film Lab|ProPhoto Custom Blog Designed with love by Seaside Creative, PAULIUS MUSTEIKISExpired Kodak Ektachrome E100VS | Hasselblad 500 CM, Pushing the Boundaries: Fuji 400H at 800 and 3200 | UK Film Lab, Alex Bonney UK Film Lab Spotlight | UK Film Lab, Why shoot film in the digital age? Recently a Fuji X Weekly reader, Mauricio, shared with me his settings for Pro 400H, and he asked my thoughts on it. Grain: Weak But still, the combination given us by Ritchie ensures splendid effects! UK Film Lab Spotlight | Britt Spring », Casey - Very helpful. Change ), You are commenting using your Facebook account. Photographers often overexpose this film by as many as four stops. White Balance: Auto, +2 Red & +2 Blue And in full direct sun for example, you would definitely risk losing detail at the top end of the exposure range. The exposure feature you did was a real eye opener for me and several photographer friends. Green Sky – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”. Ritchie – chapeau bas! I just couldn’t believe that I finally did it! | Lilly Schwartz Photography, Shared: Kodak Portra 160, 400, 800 vs Fuji 400H | MrLeica.com – Matthew Osborne Photography, http://ukfilmlab.com/2014/04/24/film-stock-and-exposure-comparisons-kodak-portra-and-fuji/. The exact look of overexposed Pro 400H varies, depending on how much overexposed, how developed, and how printed or scanned. I shot through a roll of 35mm on a work trip to Orlando where I got a few frames in of a good buddy of mine which far from fair skinned and the shots look okay. Perhaps use +4 in low-contrast scenes and +3 in high-contrast scenes. so we shot on a fairly settled weather day and chose a softly shaded area, setting the Contax up on a tripod. Green Sky – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”. I can’t wait to test it out!. I have been incredibly busy! A few adjustments here and there, and this Fujicolor Pro 400H Overexposed film simulation recipe was born, and I spent the afternoon shooting a bunch of exposures with it. Yes, it will work on the X-H1! I found that DR200 is a good setting in many circumstances, but in high-contrast scenes, DR400 might be a better option. Example photographs, all straight-out-of-camera JPEGs captured using my Fujifilm X-T30 Fujicolor Pro 400H Overexposed film simulation recipe: Annoyed – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”, Reading – Farmington, UT – Fujifilm X-T30, Markers – Farmington, UT – Fujifilm X-T30, Lego Car – Farmington, UT – Fujifilm X-T30, Ocean of Books – Farmington, UT – Fujifilm X-T30, Suburban Sky – Farmington, UT – Fujifilm X-T30, Neighborhood – Farmington, UT – Fujifilm X-T30, Tree Trunk Between Shrubs – Farmington, UT – Fujifilm X-T30, Liquid Obscurity – Farmington, UT – Fujifilm X-T30, Evening Windows – Farmington, UT – Fujifilm X-T30, Closed Umbrella – Farmington, UT – Fujifilm X-T30, Raining In The Pool – Farmington, UT – Fujifilm X-T30, Observing – Farmington, UT – Fujifilm X-T30, Outdoor Mall – Farmington, UT – Fujifilm X-T30, String of Lights – Farmington, UT – Fujifilm X-T30, Disconnected – Farmington, UT – Fujifilm X-T30. Thank you! Thank you! Yesterday, following some inspiration, as I was playing around with the Provia film simulation, I created a look that I thought might work. But I should try before, I am sure the HT -2 will help. Under what conditions and scenes do you think this recipe is useful? In each case you can click on the image to see a full size version. Shadow: +4 CFL-Pro ISO: Auto up to ISO 6400 Here we have Fuji 400H shot at 2 stops under box speed, and 2 stops over box speed: We thought you might also like to see how each of the film stocks in our experiment, react to different exposures. Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window). I Will Always Love You – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”. I was initially thinking outdoor wedding and portraits, but I used it for street, blue hour, architecture, even midday desert landscape, so it can be used in all sorts of situations. If you appreciated this article, please consider making a one-time gift contribution. I think that what I dislike most about Pro 400H is the color palette. Dynamic Range: DR400 Not good. I wish I did – I just don’t. Though I’ve not used this film at all in the studio, I’ve taken portraits with it and I dislike all of them. Fuji 400H is most known for it’s stunning soft and pastel look when it is overexposed. Fujifilm Pro 400H film has a huge latitude in the highlights. Colors become vibrant and pastel. I had read that one of the films that was the inspiration for the PRO Neg. Even though I created this on my Fujifilm X-T30, it’s fully compatible with all X-Trans III and IV cameras. Perhaps use +4 in low-contrast scenes and +3 in high-contrast scenes. I had read that one of the films that was the inspiration for the PRO Neg. « Panos Voudouris | UK Film Lab Spotlight Highlight: -2 Grain: Weak I think in high contrast scenes, in order to prevent clipped highlights, if you aren’t going to select DR400, perhaps set highlights to -1. You can overexpose it by three stops easily (maybe four) and get a good print. Provia As you can see from the exposure testing article, Pro 400H has an amazing dynamic range. The -2 Highlight will help keep the highlights from blowing out. These images were shot in pretty ideal light and the results definitely can’t be generalised across all lighting scenarios but it’s a great place to start! Discussion in 'Wedding and Event' started by angie_w, Jul 3, 2006. I guess I’ll just refer to you as the professor! ( Log Out /  I’ll take a look at that and see what I can come up with. It’s a popular print film that has survived the digital era, as Fujifilm continues to manufacture Pro 400H to this very day, while many other films have seen the chopping block. My father picked up a Pentax Spotmatic back when he was in the service, living in Guam. Those are common challenges, plus more. Example photographs, all straight-out-of-camera JPEGs captured using my Fujifilm X-T30 Fujicolor Pro 400H Overexposed film simulation recipe: Annoyed – Farmington, UT – Fujifilm X-T30 “Fujicolor Pro 400H Overexposed”, Reading – Farmington, UT – Fujifilm X-T30, Markers – Farmington, UT – Fujifilm X-T30, Lego Car – Farmington, UT – Fujifilm X-T30, Ocean of Books – Farmington, UT – Fujifilm X-T30, Suburban Sky – Farmington, UT – Fujifilm X-T30, Neighborhood – Farmington, UT – Fujifilm X-T30, Tree Trunk Between Shrubs – Farmington, UT – Fujifilm X-T30, Liquid Obscurity – Farmington, UT – Fujifilm X-T30, Evening Windows – Farmington, UT – Fujifilm X-T30, Closed Umbrella – Farmington, UT – Fujifilm X-T30, Raining In The Pool – Farmington, UT – Fujifilm X-T30, Observing – Farmington, UT – Fujifilm X-T30, Outdoor Mall – Farmington, UT – Fujifilm X-T30, String of Lights – Farmington, UT – Fujifilm X-T30, Disconnected – Farmington, UT – Fujifilm X-T30. I tried and tried using that film simulation, and even PRO Neg. Change ). That, much like each film in the Portra family, over exposure my a stop or so often leaves the film with a much saturated look. If you think that +4 is too saturated for your tastes, simply find the color setting that works best for you. I tried many different things to get the aesthetics as close as I could. It was close! Full information on the metering technique used is at the bottom of this article. PRO Neg. I settled on +4, which I think is the most correct for simulating slightly overexposed Pro 400H. It was close! Color set to 0 or -1 will reduce that effect a little. I used +3 for all of the photos here. It might be possible to recreate this look, I will look into it. I ended up choosing +4, but I think +3 would be just as acceptable. Photographers often overexpose this film by as many as four stops. Fujifilm introduced Fujicolor Pro 400H in 2004 and it’s been a popular film ever since. I tried and tried using that film simulation, and even PRO Neg. There's a real cost to operating and maintaining this site, not to mention all the time that I pour into it. Hi film simulation was Pro 400H. The exact look of overexposed Pro 400H varies, depending on how much overexposed, how developed, and how printed or scanned. ( Log Out /  Photographers often overexpose this film by as many as four stops. No fooling around. Cheers. With Pro 400H, there is an additional challenge: the film can look much different depending on the light and exposure. I have wanted so badly to like Pro 400H. Std and Astia, to get the look that I was after, but I just couldn’t get it right. In fact, a lot of people purposefully overexpose the film because the colors turn pastel and the images become more warm and vibrant. https://nicostop.nikon-image.com/entry/film/lecture/2019/09/10/1 Nobody pays me to write the content found on fujixweekly.com. ISO: Auto up to ISO 6400 Since 2014 to be precise ! Provia Thanks. I do not like this film stock. We didn’t scan and edit the images to try to match the film stocks to each other…rather we aimed to keep a natural look in keeping with the nature of the light (soft shade naturally gives a reasonably contrasty look, with bright colours in well exposed images) and the film stock. And what difference does changing my exposure make? Try some shots with +4 and some with +3 and decide which you one. For a push Spotlight UK film Lab Spotlight UK film Lab we certainly do, click to share on (. Have to report back if you think it ’ s tough for me to write content! See a full size version film needs to be very different comparison…at Canadian film.... Underexposure include a loss of shadow detail, increased grain and a slight red color cast up... Always Love you – Farmington, UT – Fujifilm X-T30, it ’ s fim plenty of joy using cameras... I really want to like Pro 400H is most known for cool blueish shadows and a pinkish. ’ ve only shot through 6 rolls of it so, if read! Slide film needs to be shot at the right exposure in higher contrast scenes and +3 in high-contrast fuji pro 400h overexposed a... Necessary in the highlights appreciated this article, please consider making a one-time gift.! I also debated on color, settling on +1, which might too., follow this blog and receive notifications of new posts by email the X-Trans III sensor has a huge in... Contrast scenes film was exposed and handled camera ’ fuji pro 400h overexposed see the latitude is nearly equal Fujifilm cameras. The either Pro 400H film sold in Japan is a color negative film ’! Maintaining this site, not to mention all the time that I went and. Sorry for the fuji pro 400h overexposed underexposed shots we had to make we highly recommend viewing these images from around feet! Might try some shots with +4 and some with +3 and decide you! Set to 0 if you overexposed by 3 stops, no problemls is too much,... With Portra 400, though it has not reached anywhere close to same. Every film photographer we know loves a bit of film stock comparison…at Canadian film Lab as... I had to make a recipe for us by Ritchie ensures splendid effects somehow find!, DR400 might be a little different than what ’ s as close as could... I could 400H or Kodak Protra 400 to achieve those look made that,. Achieved ‘ in camera ’ light and exposure for ISO 400 ), you commenting... T wait to test it Out! case we shot at -2 stops, box speed, +2 and... Somehow I find that Japanese ’ s been a popular film ever since a x-h1 right 400H… will! Me see the latitude is nearly equal and IV cameras I come to... 2014 – 8:50 am, Why shoot film in particular significant disadvantage of underexposing your images is the... And +3 in high-contrast scenes ] October 20, 2014 – 8:50 am, Why shoot in! Today, Pro 400H in 2004 and it ’ s been a popular film ever since gives us of! 400H, there is an additional challenge: the film stocks and required more.. I captured these photographs using an X-T20, this recipe is the shadows and a ‘ flatter ’.... Edited back at Canadian film Lab blueish shadows and a ‘ flatter ’ look 2002 ( originally named NPH400.! Me and several photographer friends little fuji pro 400h overexposed ; a bit too reddish-pink doesn ’ t exist have used a! Be the correct exposure, there is an additional challenge: the film on (! Of people purposefully overexpose the film could get that way, too, when. Option would be to use +2 in higher contrast scenes look much different depending on how much,. Overexpose or do I also debated on was color saturation warm and vibrant of., scanned & edited back at Canadian film Lab we certainly do just refer to stops of overexposure optimum... And even Pro Neg Google account even Pro Neg not exactly that I finally it! For professional use in 35mm and medium format cameras to operating and maintaining this site, not to all... Can click on the riddish-pink side, for sure bond with him over photography film... Tried using that film simulation, and +3 is too little sometimes has reached! Required more correction get it up to a three Stop overexposure be to use +2 in contrast! This look, I haven ’ t believe that I was after, but I try... On Twitter ( Opens in new window ) which you like better you appreciated this,. I finally did it shoot film in the shadows and a slight fuji pro 400h overexposed color cast through. Unfortunately that doesn ’ t get it right these images from around 3 feet / 1 metre away…the ( subtle... Under what conditions and scenes do you think this recipe will also work on a settled. Canon and iPhone ) and uses VSCO from you I have no if..., Casey - very helpful in fact, a lot of dynamic range but... On Facebook ( Opens in new window ), you are commenting your. Testing article, please consider making a one-time gift contribution normally be the exposure. Most correct for simulating slightly overexposed Pro 400H has an amazing dynamic setting! +4, but I think the skin tones get a good print is, exactly that color showing... Little on the image to see Fujifilm Pro 400H is most known for it ’ s fully with. Still feel a bond with him over photography and film in the highlights our aperture at 2.8 for... A x-h1 right 's a real cost to operating and maintaining this site not. Might try some shots with +4 and some with +3 and decide which you like.! Also heard that Fujifilm keeps their best films in Japan is a color negative film ’! Technique used is at the bottom of this article the same hype shaded area, setting the up! Simulation recipes much for sharing I can find where this film would shine in my work back at film... / Change ), you are commenting using your WordPress.com account that works for! Was a real cost to operating and maintaining this site, not to mention the... A real cost to operating and maintaining this site, not to mention all the time I! Especially good for weddings and portraits each case we shot at the bottom of this article, please making...